Thank you

Last week, Annette and I released our first podcast/vlog, Two Peas in a Woolly Pod, into the wonderful world of the web and we have been overwhelmed with you response.

We just wanted to say the biggest thank you to all of you for every view, comment, like, word of encouragement and for every little yeey.

We wanted to start a podcast for a while now as we just love the idea of them and they look like a lot of fun. We had a hoot recording it and are so overjoyed that you liked it too

Few words from Annette:

Thank you for watching our new podcast. Your response has filled us with joy. 

The idea of a podcast is something we’ve been toying around with for a while. We’ve been friends for ages, and have always nudged and guided each other with our creative ideas. Doing it together just seemed the natural thing to do. Working on this podcast, will give us an opportunity to combine our individual personalities, and hopefully give you something a little different to watch, and to share our joy of this community we are all a part of.

Do join us each month as we bring to you our love of yarn, crochet and knitting. We love it all! There’ll be wips and occasional fo’s. Patterns that have taken our fancy. Maybe some stash enhancement. We even hope to have some k/cals as we go along. We can’t promise it won’t be haphazard, but we’ll do our best. lol

We hope this will lead to many more episodes. There’s always something new to inspire us.

Here is the podcast/vlog for those who hasn’t seen it yet 🙂

See you next time,

Two Peas in a Woolly Pod x

Inherited knowledge and talent – Tabula Rasa post by me

I felt compelled to write about the inspiration behind the name of the De Anima shawl and about what it means to other people and questions it raises. I have asked designers and overall very talented people, whom I admire a lot, to write from their prospective about Tabula Rasa and whether they believe that we, as people, are born as a blank canvass or whether we genetically inherit knowledge and creativity.
I want to thank them all for contributing by writing such personal insights. If you would like to read the blogs again here are the links:

Today is the final day of Tabula Rasa posts and I thought I’ll give my two cents on the matter.

Tabula Rasa refers to the idea that we are born without built-in content, a ‘’blank slate’’, and that all we know comes from experience and perception. It is a truly fascinating concept, and I very often ponder it when I teach knit and crochet. We acquire skills through practice, some of us are taught those skills at a young age, but do we possess them already in our unconscious mind? The same can be said for talent… do we acquire it or are we simply born with it? In western philosophy the concept of Tabula Rasa originated in treatise of Artistotle – De Anima or On the Soul (hence the name of the shawl).

I tend to agree more with Pluto and his Theory of Forms that the human mind is born with ideas. I believe that we genetically inherit instinctive knowledge, like a new born who innately knows how to suckle onto mother’s breast. In the same way as you can observe in animals, like cats with hunting or elephants with geographical knowledge. Based on that, what other information is passed down, which can be later reinforced through teaching? Form the first day we rely on parents, our surroundings, then later on teachers and people around us to help us develop and enhance that knowledge. Do we naturally possess creativity/talent in the same way we possess instinctive knowledge?  
Teaching knit and crochet gives me the perfect opportunity to observe all stages of ability. In a group of ten people who never tried crochet, you will have four that instantly show natural ability and will be crocheting within half an hour with ease. Then you have few that just can’t get to grips with it. We are all wired differently and predisposed to be good at different things. However, maybe knitting and crochet are not the best examples of talent as we can learn how to do it and obviously enhance our knowledge and ability through willingness and lots of practice, but let’s take photography for example. Everyone can learn the rules of staging a good photo but only few have a natural eye for capturing a truly amazing image. You can have twenty photographs of the same person taken by different people but only one will capture the person’s soul and encapsulate the mood of the subject.
How much of that wiring and ability we possess is in part down to any knowledge we inherited? I’m not sure, but maybe I have a romantic view of it that we do pass more that we think down to the next generation. 
Anna xx

The desire to create things – Tabula Rasa guest post by Steel&Stitch

Today’s guest post on Tabula Rasa comes from the fantabulicious Emma from Steel&Stitch, who is the crochety and crafty goddess and overall a luscious person. Her designs are colourful, fun and begging to be made. 

Well howdy y’all!  This is Emma from Steel&Stitch here to talk to you today about tabula rasa (don’t worry, when I first heard this phrase I thought it was a roasted aubergine dip, turns out it’s actually the theory that human’s are born with a mind that is a ‘blank slate’ and then informed by life’s experiences) and creative ability.  I would like to put it out there right now that I am not an authority on this (remember the aubergine thing), but I have been doing a little research in to creativity in humans for my MA in Sustainable Design, and will happily contribute my tuppence-worth.  Oh, and this really isn’t going to be too heavy, in fact it’s going to be very unacademic and light (yep, the aubergine thing), so don’t worry. 

Where to start?  I’m mainly going to talk about this in relation to creativity, but this is one of those massive subjects that everybodyhas an opinion about, mostly informed by personal experience (which is exactly how I’ve formed my own opinion; as an identical twin, a mother and a person). That, and a tiny bit of research that was recently done by Harvard University.  Those Clever Clogs have discovered that there are certain patterns that light up in the neural network when creative people come up with ideas.  Some people have brains that do this very easily, and some people don’t.  (This very interesting piece of research was in an abandoned copy of the Guardian that I found on 16.1.18 on the 16.54 from Victoria to Ore, very much worth a read if you want to find out about it properly).  It would seem reasonable to assume that this is the case for other things too, like maths or combining flavours or singing.
What it proves is that some people are much more creative than others.  But were they born that way, or did they become that way by having encouraging parents, or by being forced to live on their wits, or by being sent to a Steiner School?  As an identical twin, we were each brought up with a designated identity.  I was the Clever One and she was the Outgoing One.  For years we subscribed to these roles, I rarely spoke to anyone, spent too much time trying to read the classics and mooning over Pre-Raphaelite art.  She was wildly gregarious, kissed lots of boys and wrote her fashion dissertation on Barbie.
What was interesting was that for various reasons we ended up at different schools in different counties, and for all of those ideas about how differently our brains worked, we got identical results for our GCSE’s.  Even now, as adults, we still marvel at how I ended up being the clothes designer in spite of studying philosophy at uni (I’ve just been working on a mini collection of patterns for Scheepjes J), and she has ended up as a lecturer working on a phd.  So while we were unconsciously encouraged to study and engage in different things, our brains clearly have their own ideas about what they are able to do; which is pretty much the same as each other.  We are both very creative, have a compulsion to make stuff and love doing a bit of research.
Another case study (this is just to make things sound fancy, what I could actually put is ‘thing I’ve seen’) is the difference in my boys.  They are two years apart, have had the same access and been around the same amount of paint, paper, pens, glue guns, scissors, air brushes, you name it, and the youngest, Creative Boy, while seeming to have an innate ability when it comes to drawing, has very little interest in making stuff.  The big one, loves it.  What’s also interesting is the big one is Maths Boy.  Always has been, so we’ve heartily encouraged him and worked with him to further this aspect of himself.   Didn’t really notice it in the littlest so didn’t do anything special with him.  Started school, turns out he is also Maths Boy, we just hadn’t given him that identity.  So Maths Boy and Creative Boy are actually interchangeable, their brains have a similar default setting. 
Having said all that, I just want to go back to that point about some people being more creative than others.  Me and my twin were set on different paths but both have a deep love and connection with making things.  My boys are being brought up in a creative environment and only one of them chooses to take of advantage of it.  I think maybe we all have a desire to create things, just sometimes it may take a bit of encouragement to find the confidence to do it.  And while there may be some of us that are hard wired to be good at it, it doesn’t mean that we shouldn’t all take enjoyment from just playing and doing it.  My goodness, I can’t sing for toffee, but give me a hairbrush and an empty house and I can have an absolute party.
So, what have we learned here?  I don’t know the difference between an East African dip and a theory proposed by a 17th century Philosopher (in spite of having a philosophy degree).  Surprising things can be learned from abandoned newspapers.  Reading the classics when you’re 12 has very little bearing on your future career.  Also that I think that we are born with a certain amount of pre-programming.  We are not a clean slate.  But whether we’re good at something or not, doesn’t mean that we shouldn’t enjoy it and we can still do it just because it brings us pleasure and maybe a sense of connecting with something beyond ourselves.  I don’t know the name for that something, maybe it also sounds like something you can dip a carrot in, but whatever it is, I’d definitely encourage you to try it.

Emma x

The potential to do remarkable things – Tabula Rasa guest post by Anneknitty

Today guest blog is by my incredibly good friend Annette, who is the bestest friend anyone could ever ask for and I love her to the moon and back. Annette is a seriously amazing knitter, with a vast knowledge of the craft to match, and if that wasn’t enough she also is pretty awesome at sketching, in fact it was her who designed my logo :). Onto Annette’s thoughts on Tabula Rasa……

How have you ended up reading my writing on my friend’s website? My Friend, Crochet queen, and

knitting star, Anna, designed a Shawl and named it ‘De Anima’. I was intrigued where this name came from. Anna explained, then me, not being very philosophically minded – was mind blown. This conversation led to me writing a guest blog about this idea.

The brief I was given is as follows:

De Anima or On the Soul – the treatise of Aristotle, in which the concept of Tabula Rasa in Western philosophy originated.
Tabula Rasa refers to the idea that we are born without built-in content and that all we know comes from experience and perception.
It is a truly fascinating concept, and I (Anna) very often ponder it when teaching knit and crochet. We acquire skills through practice. Some of us are taught those skills at an early age, but do we possess them already in our unconscious mind? The same can be said for talent… do we acquire it or are we simply born with it?  
I think honestly that everyone is born with the potential to do remarkable things, but the skills come with practice. When you’re a baby, then a toddler, life is just thrown at you. A bottle is put at your mouth – you drink it. A crayon is put into your hand, you realise it makes colourful marks, you start scribbling colours everywhere. Then you become a child, a little more dextrous, a little more sophisticated in reasoning. The crayon in your hand is now making recognisable shapes, the ‘Adult fear’ hasn’t yet appeared, so you’re still happy making these shapes and not worried that they don’t look perfect. (That bottle is still a bottle, or maybe a cup… but now you can decide when you would like to drink it. But that is me digressing) The child age is the perfect time to take that potential you were born with and absorb new skills easily. You’re not afraid of getting things wrong, or at least looking back on it – you don’t remember having any fear.
As an adult it’s becoming harder and you can now be tentative towards learning new skills. Negative feelings can take control. Fear of getting it wrong, fear of looking stupid, that you’re not good enough from the start. You start thinking you can’t do this new skill, so you stop even before you’ve given it a good go.
On a personal note, I’ve been trying to draw for as long as I can remember. I was given many sketchbooks as a child. I don’t recall being very good at it in the beginning, however, I found a lot of joy in it, so I continued to practise. Eventually, with a lot of repetition and joy, the scribbles became objects, and some could say, ‘artwork’. 
My knitting adventure also started when I was young. It began back in my Brownie troop, I needed to get my Knitting badge and I didn’t know how to start. This led to me being taught by my Nana. Now this is quite a few years ago, but I don’t remember being good straight from the start. I vaguely recollect getting things wrong but not being worried about it – I kept trying till I got it right. Basically, there were a lot of holes, missed stitches and the like. What I think I’m getting at is – I wasn’t born with the skill, I had to work at it. I’m still working on it to this day. What I was born with was the notion to try. I’ve now been knitting for, let’s just say many years and I’m still learning new techniques. If I get something wrong, I work at it till I get it right.
My crochet journey was a little different. Learning crochet started as an adult. This was after I’d said goodbye to my Nana, but before You Tube tutorials were everywhere. So, I had to teach myself from books. As an adult, learning is a little different. You see other adults (even kids) crocheting with ease, and here you are, all fingers and thumbs. The link from your brain to your fingers holding the yarn and the hook, doesn’t flow freely. You start thinking – I can knit well, why can’t I crochet yet? You’ve forgotten that it took time to learn to knit – it wasn’t instantaneous. This is that ‘Adult Fear’ I mentioned earlier. You’re afraid of looking stupid, but usually you must get things wrong before you get it right. So, I decided to ignore these feelings after a while and I stuck at it. I may now crochet like a knitter, but it works for me. 
I hope I’ve stuck to my brief and haven’t rambled on too much. Looking over my few words, my philosophy agrees with Tabula Rasa. We’re not born with talent, that all we know comes from experience and perception. If you’re trying a new skill or craft and feeling some self-doubt, stick at it. Practice some more, tell that Adult fear to get lost. Pretty soon, you’ll end up producing a fab design like Anna’s ‘De Anima’.

 Annette x

Are we born with creativity? – Tabula Rasa guest post by GamerCrafting

To celebrate the release of De Anima shawl I have asked some superb crafters and bloggers to write a guest blog for me on Tabula Rasa.

De Anima or On the Soul – the treatise of Aristotle, in which the concept of Tabula Rasa in Western philosophy originated. 
Tabula Rasa refers to the idea that we are born without built-in content and that all we know comes from experience and perception. It is a truly fascinating concept, and I very often ponder it when I teach knit and crochet. We acquire skills through practice. Some of us are taught those skills at a young age, but do we possess them already in our unconscious mind? The same can be said for talent… do we acquire it or are we simply born with it?
Today guest blog is by my very good friend and fellow crafter Ange the creator of GamerCrafting. Ange is not only a fab knitter and yarn dyer but also an amazing musician. Who better to talk about talent than her.

Are we born with creativity, or is it a learned skill?
For people like us, creativity is as important as the air we breathe. Without new ideas and inspirations, the world around us feels dull and grey. But what made us like this? Are we born creative, or do we learn it the same way we learned to read and write?
Tabula Rasa is the idea that we’re all born as a blank slate – an empty mind to be filled up with learned experiences, new ideas, and information. Aristotle compared us to new characters in a play, who are nothing but blank slates until the author gives them a personality and a purpose. Jean-Jacques Rousseau said that wars are the result of social conditioning, and never an innately human condition. I’d like to think that he’s right, and maybe someday we’ll all learn to embrace the humanity of others.
If we are born as blank slates, then what makes us creative? Do we chase activities and ideas that we received positive feedback on as children, or is it as simple as a chemical reaction in the brain, with concoctions of hormones and endorphins that make us feel emotion?
Pablo Picasso said, “Every child is an artist. The trouble is remaining an artist once we grow up.” Maybe as we grow and observe the world around us, and we start comparing our work to others, we start to doubt our own creativity. Maybe your finger painting wasn’t as “good” as someone else’s, and so you deemed yourself “not artistic.” Maybe we just tell stories about ourselves so often that we begin to believe them. I’m not artistic, I’m bad at math, I’m shy, I’m too aggressive. Maybe we are more than the two dimensional versions of ourselves that strangers see. Allow yourself to be three dimensional and explore every inch of your creative mind; after all, life is short. No one on their deathbed has ever said, “Man, I really wish I had been less creative.”
 I have a theory that everyone is creative, but in different ways. An engineer who invents a new machine is creative, but in a vastly different way to an experimental contemporary musician who uses sound samples of a cityscape to weave an auditory tapestry of exploration. You just have to figure out how to tap into that creativity to make it shine. If we’re born as blank slates, then it’s up to us to write our own creative stories.
Sometimes, a blank slate needs new inspiration. Take a walk in the world around you to find inspiration in the smallest places. A crack in an old tile, a flower growing through concrete, or frost on an early morning. We’re responsible for growing ourselves and our creativity, no one can do it for you. Listen to music you’ve never heard before – in fact, listen to the piece titled Tabula Rasa, written by the Estonian composer Arvo Pärt. I promise it will make you feel something. I can’t say what that something is, because I’m not you; I feel a deep sense of “hiraeth,” a Welsh word which means homesickness for a time or a place that you can’t return to.
I leave you with a challenge: do something, anything this week that ignites your creativity. Allow yourself the space to be creative and give yourself permission to write on your own blank slate.

                                                       Some of Ange’s delicious yarns

Love in Every Stitch – blanket

I’m delighted to announce that the ‘Love in Every Stitch’ blanket is now live on my website. 
When designing this blanket, I wanted the maker to be able to customise it to reflect themselves or the person they are making the blanket for. To be in full control of the size and be able to choose colours to suit the person, mood or soundings.
This blanket has a fantastic corner-to-corner construction, which gives you full control of how large you would like it to be. It can be made into a cot blanket, sofa, lap, double or single bed all you have to do is repeat the increase pattern repeats until you reach the desired size, then start decreasing until the end and you will produce a beautiful square blanket. The slip stitch pattern is easy to memorise and it complements the garter stitch border, not to mention that it shows up beautifully when worked in colour. The blanket is completely reversible; it looks equally stunning on both sides.

In the pattern, you will also find where to find inspiration for colour: mood, weather, name or even month of birth, this is where I took the inspiration for the two blankets. 
The smaller blanket is knitted in Sublime Baby Cashmere Merino Silk DK and is made for the cutest little girl called Ella who was born in April.
The colours of the name Ella are blue, green and pink. The colours of April are yellow, red, white
I decided to get rid of the red as I thought it was too strong for a baby, but I stuck with all the others and added few complementary ones. 
The bigger blanket, knitted in Rowan Pure Wool Worsted, is for a beautiful young lady called Sukie who is 8 years old. Of course, Sukie is at that age that I can just simply ask what colours she likes, however I still wanted to combine the colours of her birth month, May, which are yellow, red and green. I have chosen green to go with Sukie’s chosen colours. 
In both blankets, I’ve chosen cream as the complementary colour throughout, but please experiment with colour and see what combination you like best. I’m planning on knitting one with just grey and mustard.
However many colours you choose for your blanket, make sure you carry the yarn up the work with you and not cutting and weaving in at every colour change. You can carry yarn up 4 rows, any more than that will cause the yarn to form loops on the edges.
It’s important to get the edges nice and neat when taking the yarn with you. I have found the method below the best for producing neat edge. 
Don’t cut the yarn every time you switch colours, just run the colour you’re not using along the side of your blanket. 
  • Just keep picking up the different colours as you alternate (fig. 1).
  • Do this neatly so it will barely show, just pick up the yarn to be worked next from behind the other strand (fig. 2).
 Fig. 1
Fig. 2
You will find the pattern for ‘Love in Every Stitch’ on:

Happy knitting, 
Anna x


Over the past two weeks I’ve visited two great yarn festivals: Unravel and Knit & Stitch Show Olympia.
Both are quite different shows with something else to offer. Unravel is definitely yarn only orientated while at Knit & Stitch show all craft lovers will find something for them, from sewing, knitting, card making and much more.
It was my first time to Unravel so I really didn’t know what to expect, and boy what a treat it was! The festival lasts three days and is held in Farnham Maltings, spared over three floor, with little rooms going off main halls ending with The Long Kiln Gallery at top of the building. It felt a bit like being Alice in Wonderland, with every room holding different adventures.
Every room was packed full with the most delicious hand dyed yarns, a true visual treat. I was absolutely amazed at the quality and luxury of the yarns on offer, the most stunning colours in silks, wools, cashmeres and so much more all from indie yarn dyers, and of course all complemented by  the beautiful designs on show. 
The sparkly delight from Spin City
My favourite yarns were from Natalia Steward whose lace weight gradient silk yarns were just made for shawls, and Whistlebare-NorthumberlandFinest Yarns who produce hand dyed mohair and Wensleydale yarn from their Angora Goats and Wensleydale Sheep. Their yarns are all dyed using natural sources such as vegetables and come in 3 weights: 4ply, DK and Aran, all of them are just lush and begging to be knitted.
 Faux taxidermy knitted fun from Sincerely Louise
Of course not only ready to buy yarn was on offer, there was also stalls with ceramics, felting, machine knitting, textile, even a charming stall with gorgeous wicker baskets. Lots of workshops and talks such as shawls/shapes by the fab Veera Valimaki and Bavarian Twisted Stitch with Fiona Morris. I was particularly sad to miss ‘The Making of The Vintage Shetland Project’ with Susan Crowfordand film screening of ‘Yarn’, they were both on Saturday and I was there on Friday. 
And if all that wasn’t enough you were treated to the colour festival that are Amanda Perkins’ blankets. Displayed in The Long Kiln Gallery, they were truly a visual delight.

 Amanda Perkins’ gorgeous blankets
After all this crafty goodness you were welcome to grab a coffee and join ‘cast on, pass on’ bunting making in the foyer with the Surrey Knitting and Crochet Group.
In comparison The Knit & Stitch Show Olympia is very different, purely because the building has no character or old charming history, but the show itself offers delights for all craft addicts. Sewing addicts would find the festival a dream come true, there was everything from patch working to garment sewing. My most favourite stall was by Sew La Di-Da Vintage who makes stunning vintage patterns. Not only that, but there were great stalls with knitting and crochet accessories such as needles, stitch markers, you know the cute stuff, especially buttons from Kate Holliday which I’m addicted to! To be honest whatever craft you are into you will find something there for you.
As at Unravel there was lots of workshops on offer from jewellery making to felting. Also absolutely adorable hubs with drop-in knit sessions held by LoveKnitting and Toft. And an exhibition of dresses from National Fashion Textile Competition.
Both show offer something different and both are great, but what I liked the most is that both had displays of amazing knitted items.

                                        My girlies and I at Knit & Stitch Show Olympia 🙂

Anna xx

TGBBO withdrawal symptoms…

At the beginning of the week I’ve been cooped up in the house for few days with a horrendous cold and feeling very sorry for myself, then I went to work and the cold got a bit worse and it has been joined by an ear infection, so back to bed for me. The worst thing is that I don’t even have The Great British Bake Off to look forward to. So to cheer myself up I scoured the internet for knitted, crocheted and even felted cakes, pastries, biscuits and breads.
What I found is amazing! So much talent! Here are my favourite 10.

And completely unrelated to cakes or biscuits……. I saw this and it really tickled me 
It’s by Sara Elizabeth Kellner and it’s a knitted raccoon called Roosevelt! HA! You gotta love it!! 

Anna x

Rowan Mill and the new collection

Two weeks ago on Monday I started my wonderful three day adventure up in Yorkshire, well, the Rowan Mill in Holmfirth to be precise and what an adventure it was!
It was just wonderful to catch up with all my colleagues and friends. We all work all over the country and very rarely have a chance to meet and truly catch up, those three days were exactly what was needed not only to refocus when it comes to work but have a proper good old gossip with good friends. Of course it wasn’t all a giggles and Pimms, we were there to work after all! However; playing with yummy yarns, trying on knitted garments, seeing the whole amazing Rowan Autumn/Winter collection and all the exciting things to come can hardly be called work, but work we did…..incredibly hard.
Rowan Mill is incredible, you enter it and feel like in woolly wonderland. The meeting hall is full of gorgeous knitted garments, yarns, fabrics and anything crafty, I could truly have happily moved in there. The hotel we all stayed in, Bagden Hall, was originally built by Benjamin Norton a wealthy mill owner, who made his fortune running weaving mills which supplied yarn to weavers, very fitting. Quite an impressive hotel, but the best bit was the lovely lake and old house at the back of the hotel.

Let’s talk about the new Rowan A/W 15 collection…….
In two words….LOVE IT!! And I’m not just saying that, I’m saying that because it’s absolutely true. This is Rowan back to its best!  For the past few years the collections have been good, but this is GREAT. You can really see the refocus in the magazine 58, the freshness, new ideas, every design is stunning!
As always the magazine is split into three stories Tranquil, Frost and Essentials, what is different this time is that a different designer was the art director for each story.
Directed by Sarah Hatton and is all about texture and delicate tones. From traditional fair isle to slip stitch textures, all worked in Rowan’s great variety of tweeds and flecked yarns. ‘Aldernay’ is just beautiful!
                               Yell                                    Aldernay                                     Unst
Directed by Lisa Richardson is shot in the stunning Copped Hall in Essex which dishalvened look provides a perfect back drop for the rather romantic collection. Frost is my favourite story in the magazine, the garments have simple shapes with lots of textures, from wrap stitches, fair isle, cables and few interesting yokes, loose fitting cardigans and coats perfect for layering to keep the cold away. Few interesting colour work pieces with delicate colours. I’m starting ‘Snowy’ as soon as I finish all my other projects, not only has it got the most fantastic yolk, but it’s also made in my favourite 
Rowan yarn, Kid Classic.
                                 Frosty                                Frozen                                      Snowy
Directed by Marie Wallin, it is a collection full of key shapes with subtle textures and a touch of colour work, easy to wear styles. ‘Brannagh’ is rather wonderful.
                               Bevan                                  Brannagh                            Sheenag
And if the 40 designs weren’t enough, there’s also a very interesting article about history of Swarovski crystals and an exciting glimpse of collaboration between Rowan and Swarovski.
Also an article about textile designer Zandra Rhodes who has created two fab garments for Rowan, which are available on
Let’s talk about the yarn… me this season’s winner is most definitely Hemp Tweed. A blend of 75% wool and 25% hemp, wool and hemp create ‘breathable’ knitted fabrics which are cool in warm weather and warm in cold. Hemp is a great fibre as its resistant to stretching and with its stunning texture and gorgeous colours it’s a must have yarn, it knits incredibly well as well.
Second favorite is Rowan Big wool Silk, its bit more luxurious sister of the original Big Wool yarn is 70% wool and 30% silk, giving a beautiful sheen to the knitted fibre. Very soft to touch I’ll be knitting some house socks in this yarn very soon. 
The all-time favourite, Pure Wool Superwash DK has returned, just new and improved in a massive range of 32 colours!! And last but not least is the Super fine Marino family, 4 ply, DK and aran weight, 100% wool made with high quality extra fine merino, it’s a yarn which is incredibly soft and perfect for any knitting, from baby to adult. 
I truly adore the full new collection, it is really a pleasure to see Rowan back doing what they excel at.
I really miss Yorkshire and Rowan Mill a LOT!! I’ve been back for two weeks now and it’s has been non stop busy, but busy is good. I’ve done some great tutorials for Love Crochet which I’m sure you have already seen. I’m so ridiculously happy with how they come out and the great response I had about them. I’ll write a lot more about it in next blog.
Anna x

Ups and downs

Last week has been rather horrid, on Tuesday I had some terrible news, kind of end of era news. Lots of changes are coming my way, which to tell you the truth is very frightening as I really do not do well with change, but oddly enough I’m rather excited about this, surely change must be good. There changes that are about to happen I was thinking of making myself in about a year as I felt I’m not ready yet, but obviously fate decided that I’m and the choice was made for me. I’m trying to stay optimistic and look at the wonderful and positive things that are happening in my life, like my book, teaching workshops, planning a wedding there’s just so much to be thankful for. And this week I had a wonderful phone call that put my mind at ease and it has soften the blow of last week a bit, changes are still coming but they won’t be so immediate and I can take my time and choose wisely, all is good in the world once again. 
The workshop season had kicked off with a glorious bang! 
It seems like it’s been nonstop go, with all the preps, teaching and now I’m even putting together autum/winter workshop program (I know! We didn’t even have summer yet!), but the more I teach the more I love this job! 
I adore teaching all levels of crocheting and knitting. Love beginners as there’s nothing more satisfying than showing someone new skill and watching them fall in love with the craft and get addicted as much as I am. Very often I receive emails from my past students with projects that they completed and the way they have progressed it’s amazing! Really brings lots of joy to my heart. 
This season so far I had lots of advanced workshops especially finishing techniques, which are great workshops for learning how to get that professional look to your knitted garments. Next season, due to very high request, I’ll be introducing finishing techniques for crochet as well. 
I also taught some workshops on fair isle and intarsia, entrelac, introduced some lace knitting to beginners (with the most amazing view onto the Olympic Stadium) and of course the glorious bunting, which is a project we make during ‘Moving on from Learn to Crochet’ workshops. Very busy last couple of months, but so rewarding on so many levels.
Look at the view!
I put together some lovely 2-hour classes based on techniques used in my book. One of the classes is on crocheting a purse and the other on jazzing up your crochet with embroidery. I have quite few of those workshops booked around from different stores of John Lewis to Black Sheep Wools, so please check my website for more details, click here for the workshop page of my website.
 Crochet a purse

                                                                      Jazz up your crochet

Anna x